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The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range, extended frequency response, and-most important-musicality and transparency.Īll PreSonus audio interfaces come with PreSonus’ powerful, yet easy-to-use Studio One Artist recording and production software for Mac and Windows. Our discrete design delivers ultra-low noise and transparency. Op-amps add noise, coloration, and harshness to a signal. We only use genuine transistors, resistors, and capacitors. Higher-voltage power rails deliver more headroom, deeper lows, smoother highs, and a richer overall sound. Most off-the-shelf, op-amp-based designs run on power rails of 10V to 18V. The XMAX preamplifier runs on power rails of 30V. Class A circuits have no crossover distortion and deliver purer, clearer, and more musical results than the Class AB designs that are found in many preamps. XMAX preamplifiers are built with three key elements: The Studio 1824 audio interface includes eight custom-design, high-voltage, Class A XMAX preamps with discrete components for accuracy and transparency. Absorption, Damping, Decoupling, Distance, and Mass are the five elements we concentrate in order to reduce the sound in any recording studio treatment.At PreSonus, we know that the microphone preamplifier is a key component in the sonic quality of a recording. We start by increasing the distance between source and receiver and then using noise barriers to reflect or absorb the energy of the sound waves and finally using damping materials or structure. Sound Proofing or Isolation Treatment - There are several basic approaches to reducing sound. keep sound contained in a space, make it impossible for sound to move to other parts of a building, and stop unwanted sound from entering a room. “Cut down the Sound Transmission” - is any means of reducing the sound level with respect to a specified sound source and receptor.
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To treat your room for recording or mixing you’ll need to use the following types of acoustic treatment:Īcoustic Panels -for broadband absorption ( Fabric Wrapped Acoustic Panel, Stretch Fabric Acoustic Panel, Wood Wool Board Acoustic Panel, Polyester Acoustic Panel, Acoustic Ceiling Clouds & Acoustic Ceiling Baffles)īass Traps-for low frequencies ( Grooved Wooden Acoustic Panel & Bass Traps) But if you’re just getting started with absorption treatment there are some basic recommendations that can make a big improvement.
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Each room is unique, with different problem areas. “Reverberation Control” - Control the unwanted noise or sound within the enclosed surface.Ībsorption Treatment or Reverberation Control - Absorption Treatment is the process of making a room sound better for recording or mixing by absorbing unwanted ambiance and frequencies within the room. It's always a good idea to work with an acoustics-professional who has the knowledge and experience to design superior quality recording studio acoustics. When design a recording studio acoustics always concentrate on all the acoustical aspects.Īcoustic Treatments Includes, Reverberation Control and Cut down the Sound Transmission
#Superior sound studio professional
How professional recording studios acoustics are designed for superior sound quality and what does a high-end recording studio acoustic treatments include? If mixing or recording music, voice-overs, or foley, what goes into the microphone matters just as much as what comes out of the audio monitors. The one thing all these situations have in common is acoustics. Some are commercial, some work from home studios, or edit while on the road using mobile rigs. Production for sound and film is done in all types of different facilities. Crisp and Clear Acoustics strive to provide clients with expert advice and efficient service, ensuring structured and timely development of superior quality. Acoustic design for recording studio requires a highly professional approach. Recording studio acoustic treatment is probably one of the most complicated subjects.